Once installed you then register at the Red Giant site. Never the less, it still gives you a good idea of its functioning. While there is a free demo installation for those just wanting to try it out, the demo mode's output will contain a large X across the image in either preview or final renders. On the plus side, it did not cause any crashes or create problems with Motion's functioning. I did attempt to use it but it is not compatible. They use the same plugin folder so that when one plug in is installed in Final Cut Pro it also shows up in Motion.
This is actually a bug in FCP and Motion.
The odd thing is that Magic Bullet Steady also installs itself in Motion where you will find it in the 'Filters', however, it is not usable in Motion. You can install in Final Cut, and Adobe After Effects CS3 or CS4.
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New from Red Giant, so well known for their Magic Bullet Looks, is the Magic Bullet Steady, now in its downloadable Version 1.1 Installation is simple, just download, type in your serial number and designate which host you want it to be installed in. However, there is a new gun in town which will accomplish the same task without creating extra files while reducing the time needed. This is a time consuming effort and does interrupt one's workflow. Now when I apply Final Cut's smooth cam filter the analysis will create a smaller file taking up less room on my hard drive.
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Once the clip has been trimmed in the viewer, I export it out as a self-contained movie and then re-import it and place the abbreviated clip in the timeline. There are work-arounds when using Final Cut's Smooth Cam. This is because the smooth cam filter analyzes the entire media clip and not just the part of the clip that you have designated as the segment to be used in the sequence. However, it also creates significantly large files. Final Cut Pro developed the Smooth Cam filter and it does a good job. Unfortunately, even the steadiest hand does create movement, especially noticeable in the foreground and horizon. Naturally, not every shot can be taken using a tripod and one must learn to develop a steady hand as well as to use their bodies and other objects as a form of stabilizer. Unless you feel retro enough to think that Blair Witch footage is de rigueur, nothing can be more distracting and disturbing than shaky videos. It provides us with straight horizons, smooth pans and tilts and a solid platform to film from. Of course, whenever possible, one should always shoot using a good tripod.
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